ONE SINO RESIDENCES

The project design starts with the culture of the crane, incorporating cultural symbols and meaningful elements to showcase care for the residential environment. The crane becomes a auspicious creature, a symbol of the architecture, representing elegance, tranquility, and harmony in the living space.
For the clubhouse on the eastern plot, we combine landscape walls, voids, and water features to create a graceful white architectural form resembling a crane spreading its wings. The entire structure exudes elegance, creating an artistic public space that inspires people's pursuit of life and art.
In the facades of the residential buildings, we have also incorporated abstract crane forms. In the side view of the villa, a pure white curve rises from the ground, reaching up to the roof, then smoothly transitioning into a horizontal extension, showcasing the graceful posture of a crane's neck. With just this single line, the expression of the crane attached to the villa architecture is vividly portrayed, leaving a lasting impression. On the front facade of the high-rise residential buildings, eighteen sets of double-combined and turning horizontal lines unfold gradually, resembling the eighteen pairs of red-crowned cranes flying above the building in the painting "Ruihe Tu." The ends of the building's roof are uplifted, symbolizing two cranes standing on the left and right, with their necks raised, singing and facing each other.
The high-rise buildings feature bold and varied lines, reminiscent of a racetrack, with some sections exuding tension while others exhibit exuberance. On the other hand, the villas have a softer appearance, with the S-shaped curves of the racetrack accentuated by the tapered aluminum panels, enhancing fluidity and a sense of technology. Different design elements come together to create the ultimate horizontal expansion, resembling an "Aston Martin curve".